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Because we get many requests for the infrared filter we would like to summarise how each filter distinguishes itself: ☑️ The Standard IR filter (720nm) allows for good colour for false colour and good contrast for black and white. ☑️ The Ultra Colour filter (590nm) lets more visible light in. This produces extreme vibrant colours. ☑️ The Extra Colour filter (665nm) has an effect between the 720nm and the 590nm, producing colours such as pale yellow leafs and brighter blue skies. ☑️ The Deep Black & White filter (850nm), the filter for a dedicated black and white IR. It will produce bright whites and pronounced darks. ▶️ Watch the video of Freek Zonderland for a demonstration!

New at Camalot Amsterdam, the Musashi Optmag expander for full-frame. It enables you to attach a Super 35mm format PL-mount lens to cameras with a full frame sensor, without vignetting. This opens up a lot more possibilities to use our lenses. Check it out here -> bit.ly/2NQnhCh

Wow, check out this beautiful commercial! We provided the gear for this shoot. They are shot on the Arriflex 235 4-Perf with Cooke S3's!

▶️ An impression of what you can achieve with the Bokkelux lenses!

Bokeh bokeh! We just received these five special lenses in our office. Special? Why? These are Bokkelux Series cinema lenses, developed by Bokkeh-Optics and it is the only set in the world! The lenses are apochromatic so chromatic abberration is almost non existent. The lenses offer T2 and are equipped with a 12 blade iris, creating a soft and smooth bokeh. 👉 More information about these lenses can be found on our website -> bit.ly/2Cx6R0e

▶️ Check out the results you can get with the ORION Series Anamorphic lenses. Video by Atlas Lens Co.

▶️ Check out the results you can get with the ORION Series Anamorphic lenses. Video by Atlas Lens Co.

Woohoo! This just arrived in our office! The ORION Series Anamorphic lenses. They are now available in a set of 3 (45mm, 65mm and 100mm). Next year we will also be renting out the 3 other lenses and thereby the entire set. As Atlas Lens Co. says, these lenses deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature but controlled flare. They are made as an universal filmmaking tool, ready for the latest Digital Cinema PL and EF mount cameras. They can be changed quickly between a PL and EF mount with an interchangeable mount system. ⏩ If you want to know more, send us a message or call us. You can find the lenses here -> bit.ly/2vP4X5v

Because we get many requests for the infrared filter here is a summary of the different effects. The Standard IR Filter (720nm) allows for good color for false color, and good contrast for black and white. The Ultra Color filter (590nm) lets more visible light in, producing extreme vibrant colors. Leafs will be golden yellow, and skies will be bright blue. The Extra color filter (665nm) has an effect between the 720nm and 590nm, producing more vibrant colors which results in pale yellow leafs and brighter blue skies. And last but not least the Deep Black and White filter (850nm), the filter for a dedicated black and white IR. It will produce bright whites and pronounced darks. ▶️ Watch the video of Freek Zonderland for a demonstration!

Another one from our collection of rehoused lenses is the Canon K35 (set of 7). These cinema lenses were i.a. used in the film Alien (1986) and are unique in that they are vintage and super-speed cinema lenses which also happen to cover Full Frame sensors. Our partners at True Lens Services (TLS) rehoused these lenses for mechanical precision, without sacrificing the optical quality or look. The lenses are stunning and the new mechanical design allows for the most demanding focus situations. We also have a 200mm lens available, which is rehoused by G.L. Optics. ⏩ You can find the Canon K35 set here -> bit.ly/2MndhE4

From our collection of rehoused lenses: the Bausch & Lomb Super Baltar (set of 7)! First introduced by Bausch & Lomb in the mid-1960s, Super Baltar lenses were originally designed to be compatible with Mitchell BNCR cameras and are best-known for their use on The Godfather and The Godfather: Part II. True Lens Services (TLS) re-engineered these lenses to make them usable for this modern time. With warm, low contrasts and unique flare characteristics, these lenses are perfect for creating vintage visuals to give your project a classic and distinct retro look. ⏩ You can check out this product here -> bit.ly/2MuLZrb

ZEISS Supreme Prime lenses in action! 🎬

For the real enthousiast! The Century 9.8mm T2.3. This lens is a rehoused Kinoptik Tégéa 9.8mm T2.3 by Century Precision Optics, which has an internal 2×2 filter capability and is designed to cover the 35mm film format. It comes with 4 filters that can be inserted into the lens. Curious what it can do for you? Send us a message or call us for more info! ;)

Welcome to the world of infrared! Infrared filters are now available at Camalot. They are perfect for adding to a full spectrum conversion or on top of another infrared conversion to get a different effect. Every filter has its advantages but all of them are perfect for creating attention grabbing nature/landscapes. We have 4 different IR filters (590nm, 665nm, 720nm and 850nm) that are available in 1 set. In the upcoming weeks we will be sharing some useful tips about these 4 different filters. ▶️ Watch this 19 minute clip if you're interested to see the different effects. Any questions? Shoot us a message!

Former Pink Floyd bass guitar player Roger Waters performed last weekend in the Ziggo Dome. What an incredible show and we were excited to be part of it! For all his concerts in the Ziggo Dome we distributed a set of 20 cameras, of which 13 were RED Helium's and 7 of them RED Monstro's (with the appropriate lenses). This exclusive high-end production was shot in 8K with Vista Vision lenses. The very comprehensive grip package consisted of a movie bird, multiple dollies and flying equipment. 📸 by Johan van Elk! Also many thanks to United and Angenieux Lenses!

We are excited to announce that we are the first European rental house with the ZEISS Supreme Prime Lenses. They are available in a set of 5 and are designed for large-format sensor coverage, making them the ideal choice for current and future camera systems such as the ARRI Alexa LF, the Sony Venice and de RED Monstro. ⏩ Want to find out more about the ZEISS lenses? Read more here -> bit.ly/2t6XkVN

ARRI #LARGEFORMAT has arrived! ☺️

Back from TLS: Lomography x Zenit Petzval: same swirly bokeh, new housing: https://camalot.nl/product/394/zenit-petzval-85mm-t2-3-tls

NAB Las Vegas with @smart_assist @brighttangerine @ducloslenses @atlaslensco ☺️

Our 4K laser theater can now be used to evaluate your camera tests and footage! Contact us for options! 📽