Because we get many requests for the infrared filter we would like to summarise how each filter distinguishes itself: ☑️ The Standard IR filter (720nm) allows for good colour for false colour and good contrast for black and white. ☑️ The Ultra Colour filter (590nm) lets more visible light in. This produces extreme vibrant colours. ☑️ The Extra Colour filter (665nm) has an effect between the 720nm and the 590nm, producing colours such as pale yellow leafs and brighter blue skies. ☑️ The Deep Black & White filter (850nm), the filter for a dedicated black and white IR. It will produce bright whites and pronounced darks. ▶️ Watch the video of Freek Zonderland for a demonstration!

Wow, check out this beautiful commercial! We provided the gear for this shoot. They are shot on the Arriflex 235 4-Perf with Cooke S3's!

Bokeh bokeh! We just received these five special lenses in our office. Special? Why? These are Bokkelux Series cinema lenses, developed by Bokkeh-Optics and it is the only set in the world! The lenses are apochromatic so chromatic abberration is almost non existent. The lenses offer T2 and are equipped with a 12 blade iris, creating a soft and smooth bokeh. 👉 More information about these lenses can be found on our website -> bit.ly/2Cx6R0e

▶️ Check out the results you can get with the ORION Series Anamorphic lenses. Video by Atlas Lens Co.

Because we get many requests for the infrared filter here is a summary of the different effects. The Standard IR Filter (720nm) allows for good color for false color, and good contrast for black and white. The Ultra Color filter (590nm) lets more visible light in, producing extreme vibrant colors. Leafs will be golden yellow, and skies will be bright blue. The Extra color filter (665nm) has an effect between the 720nm and 590nm, producing more vibrant colors which results in pale yellow leafs and brighter blue skies. And last but not least the Deep Black and White filter (850nm), the filter for a dedicated black and white IR. It will produce bright whites and pronounced darks. ▶️ Watch the video of Freek Zonderland for a demonstration!

From our collection of rehoused lenses: the Bausch & Lomb Super Baltar (set of 7)! First introduced by Bausch & Lomb in the mid-1960s, Super Baltar lenses were originally designed to be compatible with Mitchell BNCR cameras and are best-known for their use on The Godfather and The Godfather: Part II. True Lens Services (TLS) re-engineered these lenses to make them usable for this modern time. With warm, low contrasts and unique flare characteristics, these lenses are perfect for creating vintage visuals to give your project a classic and distinct retro look. ⏩ You can check out this product here -> bit.ly/2MuLZrb

For the real enthousiast! The Century 9.8mm T2.3. This lens is a rehoused Kinoptik Tégéa 9.8mm T2.3 by Century Precision Optics, which has an internal 2×2 filter capability and is designed to cover the 35mm film format. It comes with 4 filters that can be inserted into the lens. Curious what it can do for you? Send us a message or call us for more info! ;)

Former Pink Floyd bass guitar player Roger Waters performed last weekend in the Ziggo Dome. What an incredible show and we were excited to be part of it! For all his concerts in the Ziggo Dome we distributed a set of 20 cameras, of which 13 were RED Helium's and 7 of them RED Monstro's (with the appropriate lenses). This exclusive high-end production was shot in 8K with Vista Vision lenses. The very comprehensive grip package consisted of a movie bird, multiple dollies and flying equipment. 📸 by Johan van Elk! Also many thanks to United and Angenieux Lenses!

ARRI #LARGEFORMAT has arrived! ☺️

NAB Las Vegas with @smart_assist @brighttangerine @ducloslenses @atlaslensco ☺️